Leonor Fini

Leonor Fini

Catalogue Raisonné of the Oil Paintings

The Self-Determined: The catalogue raisonnée of Leonor Fini's oil paintings, marking the 25th anniversary of the artist's death

 

 

Titelinformation

Edited by Richard Overstreet and Neil Zukerman. With contributions by Richard Overstreet, Peter Webb, and Neil Zukerman; and a memoir by Leonor Fini. Foreword by Rowland Weinstein

1st edition

, 2021

Text in English

2 volumes in slipcase, hardback

648 pages, 1082 color and 339 b/w illustrations

24 x 30 cm

ISBN 978-3-85881-843-0

Inhalt

Leonor Fini (1907–96) is one of the most important artists and personalities of the twentieth century. Her work came to prominence as part of the 1936 exhibition Fantastic Art, Dada and Surrealism at New York’s Museum of Modern Art, where her paintings were widely celebrated for their uniquely female approach to surrealism—although Fini never joined the surrealist movement. Self-made and self-taught, she preferred to work on her own and was known for her fierce independence and provocative panache. A prolific painter, Fini also wrote, worked extensively in book illustration and printmaking, and designed for plays, ballets, operas, and film.

Presenting the definitive catalogue raisonné of Leonor Fini’s more than 1,100 oil paintings, this book brings together more than one thousand color illustrations and essays on her work by Fini experts Richard Overstreet and Neil Zukerman and a concise, up-to-date biography by British art historian Peter Webb.

 

Richard Overstreet is an American artist and photographer. In 1998, he founded the Leonor Fini Archives in Paris.

 

Neil Zukerman is the owner of the CFM Gallery in New York. He is an expert of Leonor Fini’s work and author of several books about her.

 

Peter Webb is an art historian and has published extensively on art and artists of the 20th century. He formerly taught at the Coventry College of Art, the Hornsey College of Art and the Middlesex University in London.

Autoren & Herausgeber
Echo

«Es ist, was man gemeinhin eine Hommage nennen würde, eine Huldigung: Der Katalog erweist Fini eine beispielhafte Reverenz.» Ute Cohen, der Freitag